"That could be one reason why studios aren't afraid to let Superman go that way, toward the religious.Americans can rightfully be considered the ancestors of "strawberry" stories in the world hire. "Just like Jesus, in some ways (Superman) transcends parities and politics and can not be co-opted to serve the narrow interests of others," he said. "It's a smart move in terms of attracting an audience."Īt the same time, Superman is fixed firmly enough in popular secular culture so that the religious accents are unlikely to alienate a mainstream audience, said Craig Detweiler, who directs the film-studies program at Fuller Theological Seminary in Pasadena.
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"The way in which the Christian population can get behind a movie that they can agree with is a huge push financially," said Skelton, who also distributes bible-study kits that draw scriptural lessons from classic television episodes. It's unlikely that studio executives, conscious of the size of the Christian audiences that were coaxed into theaters by the biblical echoes in "The Lion, the Witch, and the Wardrobe," would discourage religious associations. "They become ingrained in your storytelling, in the same way that the origin story of Superman is very much the story of Moses."
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They find their way into your work," he said. "These allegories are part of how you're raised. Singer, who is Jewish, said his neighbors' Christianity played a powerful role in the community where he grew up. "Superman Returns" director Bryan Singer said the notion of Superman as a messianic figure is simply another case of contemporary storytelling borrowing from ancient motifs. "This does not need to be a consistent cultural form from its beginning to its present, but something has to be maintained," Pedersen said.
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The Christian allusions are recent innovations that compromise the integrity of the Superman myth, she said. Pedersen said Jerry Siegel and Joe Shuster, who introduced Superman in 1938 in a comic book, were Jews who were inspired by the Old Testament story of Moses and the supernatural golem character from Jewish folklore. "It's a misrecognition," said Amy Pedersen, who is writing her doctoral thesis in art history at the University of California, Los Angeles, on superhero comic books. Not everybody welcomes the Superman-Jesus comparisons. In another scene, Routh poses with his arms outstretched as though crucified. At one point, Superman sustains a stab wound reminiscent of the spear jabbed in Christ's side by a Roman soldier. Moviegoers who enter the theater looking for Christian imagery are unlikely to be disappointed. Meanwhile, news reports that "Passion of the Christ" star James Caviezel was originally in the running for the lead role in "Superman Returns," which eventually went to Brandon Routh, convinced others that the film's makers were playing up the New Testament comparisons. Superman, in the film, returns to Earth after a long absence, a narrative that's been likened to Jesus' death and resurrection. The premise of the new Superman movie alone has fueled speculation that it's wearing its biblical comparisons on its long, tight sleeve. "Is this a new Superman for the new Evangelist red state America? Superman as Jesus?" asked one contributor to the Portland-based blog site Urban Honking.
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"The allusion to Jesus Christ could hardly be accidental," wrote Christian blogger Tom Gilson. Online message boards and Web logs quickly latched onto the biblical resonance of those lines. "For this reason," continues the voice, "I have sent them you, my only son." The preview shows the hero with his eyes closed as the voice of his father - Marlon Brando's, courtesy of 1978's "Superman" - tells him he was sent to Earth because humans "lack the light to show the way." "Superman Returns," which premieres June 28, has been drawing its own comparisons to biblical accounts, especially after the appearance of its trailer earlier this year.